Over the years, editors have found different ways to do the same things in Media Composer. Do you want it to wipe out the underlying clip by leaving filler in its path? Or do you want to keep the clips where they are currently edited? The choice is yours. The “Move Clip Leaves Filler” function in the timeline lets you choose how you want your edits to behave as you move clips within your timeline. Double-clicking the separator between columns will automatically resize the entire column for you. With the latest release, you can easily adjust the size of your bin columns to a width of your choice by simply clicking and dragging the column separator. This is configured through the new NDI Control Panel exposed from the timeline’s Hardware/Software switch. Users of the popular NDI technology from within Media Composer now have the added ability to choose how many tracks of audio to play: 2, 4, 6, 8, or 16. You can set it to be on display the entire time in the current bin, make the grid “active” but visually invisible, or set it as “temporary.” This gives you the best of both worlds-as you move your clips, they are initially freeform to where they can be placed, but if you hold for a beat, the grid will display, and you can align to the active grid. When you access the “Snap to Grid” function from the fast menu in the bin or the bin menu, you are presented with options to enable the grid. Bin “Snap to Grid”Įxpanding on the existing bin features to align and display your media in frame view, you can also enable a grid system to easily organize and view your content the way you want. Now, you can create up to 99 video tracks and 99 audio tracks in a sequence! That’s right-up to 198 tracks to a sequence for more sounds or keyed elements and effects with Media Composer, Media Composer | Ultimate, and Media Composer | Enterprise.īe aware that if you create a sequence with more than 64 tracks, you will see the extra tracks but will not be able to edit any tracks above 64. We’ve received feature requests from some editors working on VFX-heavy feature films and television shows to increase the 64-track limit for video and audio. Increased Track Limits for Audio and Video Just create them in your settings and enable them when you need them. This way, you can have a tool palette for your audio needs or effect needs. These can be selected in the Tools Menu, docked to your UI, and saved to your own set of user-defined workspaces. With the addition of the dockable tool palette, you can place a series of new buttons anywhere you want them, plus create a series of tool palettes in your User Settings. However, in previous versions, it did not allow you to dock it to your user interface. The Tool Palette in Media Composer gives you a set of buttons to expand your UI toolset. Dockable Tool PaletteĬustomizing your settings and user interface is key to having an experience that’s catered to your needs. Cheers!Īnd, if you’re working on any of the latest operating systems, know that 2021.12 is supported on Windows 11 and macOS Monterey. Media Composer Supported on Apple Mac M1 ChipĮveryone loves to give and receive gifts around this time of year-and our gift to you is support for Apple M1 Macs. What’s new in Avid Media Composer 2021.12 Or gain real-time collaboration, MediaCentral integration, and additional dialog search, finishing, and newsroom tools with Media Composer | Ultimate. Access the full suite of industry-standard editing tools with the new low-cost Media Composer, starting at only $19.99 USD/month. Get started for free with Media Composer | First. Got a story to tell? There’s a Media Composer for everyone. Avid Standard Support (including all software updates).Note: US and Canada Sales Only All subscription licenses include: From first cut to final delivery, the new Media Composer is designed for makers at every skill level-with a modern and intuitive interface, task-based workspaces, built-in color finishing tools, plus packaging and codec support for OTT workflows. The most popular video editing software just got even better. Proven and trusted by professional editors in every segment of film, television, and broadcast
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